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homework
--
But the 1920's when he was in his 60s',*has assembled a unique typology of all Paris,consisting more than 10000 images.

This picture is probably one of my favourite pictures of *,because of the construction,of the image,very..uh,almost do my trick,almost abstract,and there are few of very small persons in the windows,and..but he took the picture,one of the reasons is,because this pic was going to be destroyed,and if not often that he write,since like on the back of he is betroth.But here it's written"*",it's going to disappear.

Like August Thunder,*was creature of 19 century,he is equipment on technics,already all fashions went begun,has become positively art kick by the 1920's.Alexander Rodchenko would not have been impressed.

He was still making albiment prints,like you could print out in the sunshine not in a dark room,the albiment prints came in 1851,and he was still using them in the 1920's,I mean this is sad,there is people did try to get that* use more than materials,because they said it would last better.And he said I don't know how to do that.

He may have been behind the times,but *were still a commercial photographer,upside his Juliet and*,has signed operette documents for artists,*material for illustration of cartoons.But however modest of their intended purposes ,*document achieve something far greater.

He gnomed *to make of documents,was*think he did,he produced a document,a photograph is for document,it's the first gathering of basic data on the plain that everybody could look at it and see to seem object in.But *'s documents were much more personal,*mean were our mortar,he is the single greatest artist of photography,that's a cleaner definition for me,he is then heavy shown this bomb everybody else.

on melody_w

By the 1920's when he was in his 60s',*has assembled a unique typology of old Paris,consisting of more than 10000 images. This picture is probably one of my favourite pictures of *,because of the construction,of the image,very..uh,almost do my trick,almost abstract,and there are a few of very small persons in the windows,and..but he took the picture,one of the reasons is,because this place was going to be destroyed,and it's not often that he writes things like that on the back of his pictures.But here it's written" va disparaitre",it's going to disappear.
Like August Thunder,*was a creature of 19 century,he is a equipment on technics,already old fashions went begun,has become positively art kick by the 1920's.Alexander Rodchenko would not have been impressed. He was still making albiment prints,which you could print out in the sunshine not in a dark room,the albiment prints came in 1851,and he was still using them in the 1920's,I mean this is upset, there's people did try to get that* use more than materials,because they said it would last better.And he said I don't know how to do that. He may have been behind the times,but *were still a commercial photographer,upside his studio and most partners,has signed offered documents for artists,*material for illustration of cartoons.But however modest of their intended purposes ,*documents achieve something far greater. He gnomed *to make of documents,was*think he did,he produced a document,a photograph is for document,it's the first gathering of basic data on the plain that everybody could look at it and see to same object in.But *'s documents were much more personal,*mean is our mortar,he is the single greatest artist of photography,that's a clear definition for me,he is then heavy shown this bomb everybody else.

下次请注意分段哦，这样看上去舒服一些
字体请选用verdana 3号，谢谢参与---sylvia

晚了一步，帮您改成作业了，谢谢参与。
请注意字体哦，verdana，3号，不用加粗
人名可参考之前的整理稿，有厉害筒子查出这些人名滴 ---sylvia

By the 1920's when he was in his 60s', Adsha人名has assembled a unique typology of all Paris,consisting of more than 10000 images.

This picture is probably one of my favourite pictures of Adsha人名,because of the construction,of the image,very..uh,almost do my trick,almost abstract,and there are few of very small persons in the windows,and..but he took the picture,one of the reasons is,because this place was going to be destroyed,and if not often that he write things like that on the back of his pictures.But here it's written"*",it's going to disappear.

Like August Sander, Adsha人名was a creature of 19 century, his equipment and technics, already old fashioned when it begun,has become positively archaic  by the 1920's. Alexander Rodchenko would not have been impressed.

He was still making albumin prints, which you could print out in the sunshine not in a dark room,the albumin prints came in 1851,and he was still using them in the 1920's,I mean this is absurd, Verystip 人名did try to get Adsha  to use modern materials,because they said it would last better.And he said I don't know how to do that.

He may have been behind the times, but Adsha was still a commercial photographer, upset his studio and partners, has signed offered documents for artists, reference material for illustration of cartoons.But however modest of their intended purposes ,  Adsha document achieve something far greater.

He **ed tuervai人名, the maker of documents,was an accurate description of the thing he did,he produced a document,a photograph is  document,it's the first gathering of basic data on the plane that everybody could look at it and see the same objective.But *'s documents were much more personal, Adsha人名  to me is our immortal, he is the single greatest artist of photography,that's a cleaner definition for me, he stands heads and shoulders above everybody else.

on earl415

建议一楼筒子使用MS Word，注意一下拼写和标点。


By the 1920s, when he was in his sixties, Atget had assembled a unique typology of old Paris, consisting of more than 10,000 images.

This picture is probably one of my favorite pictures of Atget, because of the construction\ of the image very... uh, almost geometric, almost abstract. And there are a few \ very small little persons in the windows, and... But he took the picture, one of the reason\ is because this place was going to be destroyed. And it's not often that he writes things like that on the back of his pictures, but here it is written "va dispara?tre"—it's going to disappear.

Like August Sander, Atget was a creature of the 19th century. His equipment and techniques, already old-fashioned when he began, had become positively archaic by the 1920s. Alexander Rodchenko would not have been impressed.

He was still making albumen prints which you could print out in the sunshine, not in the darkroom. You know, albumen prints came in * 1851 and he was still using them in the 1920s. I mean, this is absurd. Various people did try to get Atget to use modern materials, because they said "It would last better," and he said "I don't know how to do that."

He may have been behind the times, but Atget was still a commercial photographer. Outside his studio in Montparnasse, a sign offered "documents for artists"—reference material for illustrations and cartoons. But however modest \ their intended purpose\, Atget's documents achieved something far greater.

None that *, the maker of documents, was an accurate description of the thing he did. He produced a document. A photograph is a document. It's the first gathering of bits of data on a print that everybody could look at \ and see the same objects in. But Atget's documents were much more personal. Atget to me is our Mozart. He is the single greatest artist of photography. That's a clear definition for me. He stands head and shoulders above everybody else.