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Homework (今天的作业好难哈 )

The elusive / itself towards the surrealists and the factuality learns itself towards those who are, you know, deeply connected to all the / of life.

The world's list like this surrealist died a few months after his discovery. But then, his documents have been appropriated by Europes /. In 1929, it was shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

29s phenomena in Europe for photography had the famous film and photo exhibition / catalog /. So it's really act to find in memont, these statement, really about where photography had gone. (You'll be going there) Well, this is /, Man Ray from Paris. Hamahoc / Atget. / and /. / the designer and in fact, even the British / beacon gets a looking. Interestingly, we are virtually / as Britain was quite sleep during the 20s if you like photographically. The action was in Gemany and Russia.

But in Russia and Gemany, the action was about to take a sinister term. / great / unleashed in 1934 had created a lesion of the damned. Heroes of the Soveit Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date as the rest followed the rest. /, the master of /, who can turn / slaves into rehabilitated workers was now forced to doctor books that he himself had created. Using black ink, to turn / cheeks into unpeople.

These were the photographs that / commission to make and a book / commission to make and he had been forced by the actively or passively to destroy. He becomes a diary of repainting of obliteration of destroying or what by, by adding to it. The interesting thing is that do you not / concentrate on the kind of face area, but / if you look at the kind of shoulders in the position of the body, the un-obliterated area which is clothes and the shoulders and parts of the body, in a still seem to proclaim the human being underneath the obliteration.

on wukeyu123


The elusive / itself towards the surrealists and the factuality learns itself towards those who are, you know, deeply connected to all the / of life.

The world's list like this surrealist died a few months after his discovery. But then, his documents have been appropriated by Europes /. In 1929, it was shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

29s phenomena in Europe for photography had the famous film and photo exhibition / catalog /. So it's really act to find in moment, these statement, really about where photography had gone. (You'll be going there) Well, these are /, Man Ray from Paris. Hamahoc / Atget. / and /. / the designer and in fact, even the British / beacon gets a looking. Interestingly, we are virtually soluted as Britain was quite asleep during the 20s if you like photographically. The action was in Gemany and Russia.

But in Russia and Gemany, the action was about to take a sinister turn. / great tailorunleashed in 1934 had created a lesion of the damned. Heroes of the Soveit Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date as the rest followed the rest. /, the master of /, who could turn / slaves into rehabilitated workers was now forced to doctor books that he himself had created. Using black ink, to turn / cheeks into unpeople.

These were the photographs that / commission to make and a book / commission to make and he had been forced by the actively or passively to destroy. He becomes a diary of repainting of obliteration of destroying or what by, by adding to it. The interesting thing is that do(去掉） you not / concentrate on the kind of face area, but / if you look at the kind of shoulders in the position of the body, the un-obliterated area which is clothes and the shoulders and parts of the body, in a still seem to proclaim the human being underneath the obliteration.

on ktdid

The elusive lens itself towards the surrealists and the factuality lens itself towards those who are, you know, deeply connected to all the minutia of life.

The world's least likely surrealist died a few months after his discovery. By then, his documents had been appropriated by Europe's avant-garde. In 1929, they were shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

29 was a phenomenal year for photography, had the famous film and photo exhibition just through Cataloge Full. So it's really like to find in moment, these statement, really about where photography had gone. (What've we gotten there?) Well, this is Bayard, Man Ray from Paris, Hannah Hoch, Edward Weston, Atget, Lissitzky, Moholy-Nagy, Piet Zwart the designer and in fact, even the British Cecil Beaton gets a looking. Interestingly, we are virtually excluded, as Britain was quite asleep during the 20s, if you like, photographically. The action was in Germany and Russia.

But in Russia and Germany, the action was about to take a sinister turn. Stalin's Great Terror, unleashed in 1934, had created a legion of the damned. Heroes of the Soviet Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date as arrest followed arrest. Alexander Rodchenko, the master of montage, who could turn gulag slaves into rehabilitated workers, was now forced to doctor books that he himself had created, using black ink to turn apparatchiks into unpeople.

These were the photographs that Rodchenko being commissioned to make and a book he's being commissioned to make, and that he had been forced, either actively or passively, to destroy. That becomes a diary of repainting, of obliteration, of destroying or what by, by adding to it. The interesting thing is that do you natually concentrate on the kind of face area? But then actually if you look at the kind of shoulders in the position of the body, the un-obliterated area which is the clothes and the shoulders and parts of the body, in a (听到有这个a词) still seem to proclaim the human being underneath the obliteration.

唉， 俺能听出的都被你们改掉了。

对于最后一句的 “in a” 有点儿不同看法 俺觉得是 they now

which is the clothes and the shoulders and parts of the body, they now still seem to proclaim the human being underneath the obliteration.


问个问题：
    那些变态的人名或地点，怎样才能拼得出？我听音拼出来的，七八成都不对。

“The elusive lens itself towards the surrealists and the factuality lens itself towards those who are, you know, deeply connected to all the minutia of life.”

The world's least likely surrealist died a few months after his discovery. By then, his documents had been appropriated by Europe's avant-garde. In 1929, they were shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.

“29 was a phenomenal year for photography, had the famous film and photo exhibition just through the catalogue for. So it's really like to find in moment, the statement, really about where photography had gone. (What've we gotten there?) Well, this is Bayard, Man Ray from Paris, Hannah Hoch, Edward Weston, Atget, Lissitzky, Moholy-Nagy, Piet Zwart, the designer and in fact, even the British Cecil Beaton can get/s/ a looking. Interestingly, we are virtually excluded, as Britain was quite asleep during the 20s, if you like, photographically. The action was in Germany and Russia.”

But in Russia and Germany, the action was about to take a sinister turn. Stalin's Great Terror, unleashed in 1934, had created a legion of the damned. Heroes of the Soviet Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date as arrest, followed arrest. Alexander Rodchenko, the master of montage, who could turn gulag slaves into rehabilitated workers, was now forced to doctor books that he himself had created, using black ink to turn apparatchiks into un-people.

These were the photographs that Rodchenko being commissioned to make and a book he's being commissioned to make, and that he had been forced, either actively or passively, to destroy. That becomes a diary of repainting, of obliteration, of destroying or what by, by adding to it. The interesting thing is that do you naturally concentrate on the kind of face area? But then actually if you look at the kind of shoulders in the position of the body, the un-obliterated area which is the clothes and the shoulders and parts of the body, then they still seem to proclaim the human being underneath the obliteration.

lend itself to： BE SUITABLE FOR, be suited to, be appropriate for, be applicable for
kitdid童鞋的意思是这里 lend itself to=lend itself toward 对吧
虽然大部分词组里 to=toward，可是偶没有查找 lend itself toward 的相关使用诶

Cecil Beaton后面那个/n/貌似应该是人名里的，熊猫再听听？
谢谢指正哈 确实如此，难怪开始偶觉得get后面有个s发音滴

第一句是连着前面的话的
I guess part of the greatness of Atget is his utility to all kinds of photographers. He's capable of recognizing the great broth of details that the world offers at any given moment, the hard fact of it and yet the elusive nature of details. The elusive lends itself towards the surrealists and the factuality lends itself towards those who are, you know, deeply connected to all the minutia of life.
说Atget的伟大之处在于任何一类摄影师，无论是超现实主义者，还是关注细节的，都可以从他那里各取所需。

金山里lend vt.的解释：
(4) To accommodate or offer (itself) to; be suitable for:
适于：为…提供方便或把（自己）贡献给；适合于：
The Bible lends itself to various interpretations.
《圣经》有不同的阐释

"lends itself towards"至少可以google到几千条，lens itself在这里又作何解释，镜头？动词or名词？

PS，昨晚正好国家地理频道放带中文字幕的这个片子，有几处终于搞明白了。。
Rodchenko折纸那块，a different Stalin应该是our dear friend Stalin
还有前两期Man Ray那个照片，最后一句是Dust Breeding delights ... and mocks ...
偶懒得翻出来改了

on sylvia_qian


“The elusive lends itself towards the surrealists and the factuality lends itself towards those who are, you know, deeply connected to all the minutia of life.”


The world's least likely surrealist died a few months after his discovery. By then, his documents had been appropriated by Europe's avant-garde. In 1929, they were shown alongside works by Man Ray and others at the influential film and photo show held in Stuttgart.


“29 was a phenomenal year for photography, it had the famous film and photo exhibition just through with catalogue full. So it's really likely to find in moment, the statement, really about where photography had gone. (where have we gone from there?). Well, this is Bayard, Man Ray from Paris, Hannah Hoch, Edward Weston, Atget, Lissitzky, Moholy-Nagy, Piet Zwart, the designer and in fact, even the British Cecil Beaton can get  a look/ in . Interestingly, we are virtually excluded, as Britain was quite asleep during the 20s, if you like, photographically. The action was in Germany and Russia.”


But in Russia and Germany, the action was about to take a sinister turn. Stalin's Great Terror, unleashed in 1934, had created a legion of the damned. Heroes of the Soviet Union now declared enemies of the people. First, they were liquidated, then removed from history. Propaganda publications had to be kept up to date, as arrest / followed arrest. Alexander Rodchenko, the master of montage, who could turn gulag slaves into rehabilitated workers, was now forced to doctor books that he himself had created, using black ink to turn apparatchiks into un-people.


These were the photographs that Rodchenko had been commissioned to make and a book he had been commissioned to make, and that he had been forced, either actively or passively, to, to destroy. That becomes a diary of repainting, of obliteration, of destroying or what by, by adding to it. The interesting thing is that do you naturally concentrate on the kind of face area? But then actually if you look at the kind of shoulders in the position of the body, the un-obliterated area which is the clothes and the shoulders and parts of the body, then they still seem to proclaim the human being underneath the obliteration.